Deep down, every surgical patient has the same worry: How safe is surgery and anesthesia?
Methods of evaluating anesthetic mortality are inexact and controversial. In 1999 the Institute of Medicine published their report entitled To Err is Human: Building a Safer Health Care System. In this report, the Committee on Quality of Health Care in America stated that, “anesthesia is an area in which very impressive improvements in safety have been made.” The Committee cited anesthesia mortality rates that decreased from 1 death per 5,000 anesthetics administered during the 1980s, to 1 death per 200,000–300,000 anesthetics administered in 1999. These statistics reflected the frequency of all patients, healthy or ill, who died in the operating room.
However, this conclusion that anesthesia mortality has plummeted is not universal. When mortality is defined as any patient who dies within 48 hours following surgery, the statistics are much different. In 2002, anesthesiologist Dr. Robert S. Lagasse of the Albert Einstein College of Medicine in New York published a study in Anesthesiology, the specialty’s leading journal, which challenged the Institute of Medicine report.
Lagasse presented data on surgical mortality from two academic New York hospitals between the years 1992 and 1999. When mortality was defined as anydeath occurring within 48 hours following surgery, there were 351 deaths in 184,472 surgeries–an overall surgical mortality rate of 1 death per 532 cases.
Deaths related to anesthesia errors were much less frequent–only 14 deaths out of 184,472 surgeries–a rate of 1 death per 13,176 cases. However, Lagasse’s anesthesia-related mortality rate of 1 per 13,176 surgeries was significantly different from the Institute of Medicine’s rate of 1 death per 200,000–300,000 surgeries. Lagasse wrote, “We must dispel the myth that anesthesia-related mortality has improved by an order of magnitude. Science does not support this claim.”
Lagasse compared anesthesia to the aviation industry: “The safety of airline travel, for example, has increased dramatically in this century, but since the 1960s there has been minimal improvement in fatality rates. This may be due to the effect that improved safety technology has had on air traffic density. Technology has made it possible to meet production pressures of the commercial airline industry by allowing more takeoffs and landings with less separation between aircraft. With this increased aircraft density comes increased danger, thereby offsetting potential improvements in safety. This may be analogous to the practice of anesthesiology in which improvements in medical technology have led to increased anesthetic management of older patients with significantly more concurrent disease.”
Today’s surgery patients are sicker than ever. Five percent of all surgical patients die within one year of surgery. For patients over the age of 65 years, 10% of all surgical patients die within one year of surgery.
Published in September 2017: The second edition of THE DOCTOR AND MR. DYLAN, Dr. Novak’s debut novel, a medical-legal mystery which blends the science and practice of anesthesiology with unforgettable characters, a page-turning plot, and the legacy of Nobel Prize winner Bob Dylan.
In this debut thriller, tragedies strike an anesthesiologist as he tries to start a new life with his son.
Dr. Nico Antone, an anesthesiologist at Stanford University, is married to Alexandra, a high-powered real estate agent obsessed with money. Their son, Johnny, an 11th-grader with immense potential, struggles to get the grades he’ll need to attend an Ivy League college. After a screaming match with Alexandra, Nico moves himself and Johnny from Palo Alto, California, to his frozen childhood home of Hibbing, Minnesota. The move should help Johnny improve his grades and thus seem more attractive to universities, but Nico loves the freedom from his wife, too. Hibbing also happens to be the hometown of music icon Bob Dylan. Joining the hospital staff, Nico runs afoul of a grouchy nurse anesthetist calling himself Bobby Dylan, who plays Dylan songs twice a week in a bar called Heaven’s Door. As Nico and Johnny settle in, their lives turn around; they even start dating the gorgeous mother/daughter pair of Lena and Echo Johnson. However, when Johnny accidentally impregnates Echo, the lives of the Hibbing transplants start to implode. In true page-turner fashion, first-time novelist Novak gets started by killing soulless Alexandra, which accelerates the downfall of his underdog protagonist now accused of murder. Dialogue is pitch-perfect, and the insults hurled between Nico and his wife are as hilarious as they are hurtful: “Are you my husband, Nico? Or my dependent?” The author’s medical expertise proves central to the plot, and there are a few grisly moments, as when “dark blood percolated” from a patient’s nostrils “like coffee grounds.” Bob Dylan details add quirkiness to what might otherwise be a chilly revenge tale; we’re told, for instance, that Dylan taught “every singer with a less-than-perfect voice…how to sneer and twist off syllables.” Courtroom scenes toward the end crackle with energy, though one scene involving a snowmobile ties up a certain plot thread too neatly. By the end, Nico has rolled with a great many punches.
Nuanced characterization and crafty details help this debut soar.
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